The eight variations of a pattern are still accessible on the UI faceplate. More Memory and Manipulationįor the first time, the TB-303 can hold up to 64 patterns and 64 patches per bank. These new functions allow sonic alchemists to twist and turn the bass, changing direction at will. With five new play modes (Forward/Reverse/FWD&REV/Invert/Random) the TB-303 Software Synthesizer widens the ability to experiment. The new randomize/generate functions create an endless supply of classic 303 patterns. With the ability to see the DNA of a preset pattern, you can edit a variation, or start from scratch then step-edit a new pattern, using up to six octaves with user-defined scales, accents, slides, pitch manipulation, and more. For the first time, you can create and edit patterns with a visual interface. The 303’s new editing window is one of the most striking features.

The iconic interface and signature crunch and squelch of the original are perfectly reproduced, while adding new features which surely would have turned heads back in the day: Edit Window Utilizing Analog Circuit Behavior modeling the virtual TB-303 captures the hypnotic tone of the original hardware and forms the perfect complement to the TR-909 and other classic Roland instruments. The TB-303 Software Synthesizer takes the classic instrument to the next level. While we may never really understand why the 303 sound makes people want to dance, there’s no denying its power, influence, and unwavering ability to get a party started. This new sound ignited other electronic music genres and, like the Roland TR-808’s influence on hip-hop, the TB-303 played an essential role in late ‘80s-early ‘90s rave culture.

Using the 303 in new ways, DJ Pierre and Phuture pioneered what came to be known as acid.

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